Last year, Beerbongs & Bentleys’ “Over Now” recruited Mötley Crüe’s Tommy Lee for a trip into the atmospheric sorta-rock typified of late by Imagine Dragons and Rag’n’Bone Man, as Post lashed out at people who doubt him, both in relationships and in the public eye. ![]() “Broken Whiskey Glass” opens 2016’s Stoney on a hangover and a lyric about the painful day after a reckless night out that’s closer in spirit to country drinking songs like “Sunday Morning Coming Down” than the pill-and-syrup anthems that count as its contemporaries. ![]() Hollywood’s Bleeding is Post Malone in a fitting room, trying new vibes on for size.Įvery Post Malone album serves at least one 100-proof distillation of the New York–via–Texas star’s odd standing as a singer-songwriter whose principle building blocks come from trap music but whose tastes suggest that his final destination lies somewhere farther afield.
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